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The Ocean After Nature is the theme for this exhibition; it will be explored through photography, video, sculpture, music and design, a real variety of work for you to absorb as you wander the exhibition. Curated by Alaina Claire Feldman, this exhibition will ruminate on ecological, political, economic and cultural subjects informed by the watery theme. Rising sea levels, dying reefs and dwindling fish stocks… The Ocean After Nature will inform and intrigue.

Over the past three decades Eithne Jordan has worked from her roots in neo-expressionism and developed her practice into a considered and meditative representation of space and light. Whether it is the darkness of a February afternoon, the reflected light of a fresh snowfall, or the distinctive hue of Halogen Street lights, her paintings are charged with content that is either to come, or else is taking place just out of view. Her work in recent years focuses on the contemporary city, looking at places such as Paris, Rotterdam, Madrid, Vienna, and most recently Dublin. In her new series of paintings depicting interiors, Jordan invites us to look closely at the multi layered histories woven through the spaces of institutions and public buildings in our cities. Many of these are museums, or historic buildings that often contain art as a backdrop to civic, educational or cultural activities In Jordan’s exhibition at The Hugh Lane, Tableau, her works inhabiting the rooms of Charlemont House, once domestic, now public, become a Gesamtkunstwerk – a total work of art. These paintings, like a strange mirror, are observing us, and reflecting a repetition of lives lived. Jordan is working in the realm of the extraordinary, […]

Buckle up for In Case Of Emergency at the Science Gallery where catastrophe is the theme of the day. With this exhibition, the Science Gallery is wondering why apocalyptic happenings are so innately entertaining. They form the plots for films, have been the subjects of books, and even manifest themselves as epic paintings. What is it about Doomsday disasters that has us rapt, gossiping about whether millenarian predictions are coming true? Explore the science behind the sci-fi with dreamers and designers at the Science Gallery’s latest exhibition, full of opportunities to interact with artwork and explore your own relationship with deathly doom. TUE–FRI 12:00-20:00 SAT-SUN 12:00–18:00 CLOSED MONDAYS

Oskar is a lonely, bullied teenager who lives with his mother on the edge of town. Eli just moved in next door. She doesn’t go to school and stays indoors all day. These two young misfits soon forge a deep connection but, when a series of mysterious killings plagues the neighbourhood, their friendship is tested beyond all imaginable limits. Following runs in London and New York, Let the Right One In comes to the Abbey with a new Irish cast as the centrepiece of our winter season. Tony and Olivier award-winning director John Tiffany directs a script adapted for the stage by Jack Thorne, based on the original vampire novel by John Ajvide Lindqvist and film by Tomas Alfredson. Recommended for adults and fearless teenagers aged 13+ This production contains violence, strong language, loud noises and flashing lights.

The worlds of sport and art collide in artist Abigail O’Brien’s new exhibition, Prudence and the Game of Golf. Following Fortitude, 2005 and Temperance, 2009, Prudence and the Game of Golf is O’Brien’s third exploration of the natural virtues. These virtues are said to govern our actions and passions. In The Descent of Man, Grayson Perry describes sport as “civilised war, an acceptable arena to bare one’s teeth” which makes sport an ample jumping off point to begin exploring the virtues that guide us. Combining photography and sculpture, Abigail O’Brien’s moulded environment explores themes that transcend an eighteen-hole game of golf. Even if you’re not exactly Rory McIlroy on the course, Prudence and the Game of Golf might just make you look at golf differently.

William Crozier was a Scottish-born, Irish artist whose work saw him appreciated on a European scale. Crozier was nothing if not urbane, settling in London, Dublin and Paris at one time or another. His work – figurative, bright and abstract, saw him aligned with European artists, and their appreciation was proven when he was awarded the Premio Lissone in Milan in 1958. IMMA is looking to the landscapes that Crozier created during the autumn of his career, when he was resident in his beloved West Cork, and contrasting them with his early work which was inspired by the existentialism movement in the shadow of the recently-ceased world war. William Crozier passed away in 2011, but IMMA is ensuring that his memory doesn’t fade with the years by renewing the public’s interest in his work with this comprehensive exhibition.

Irish currency has an fascinating past that you can delve into at this absorbing exhibition at the new Central Bank visitor centre. Developing our own currency came about following the establishment of the Irish Free State. Journey through this development of modern Irish coinage and bank notes at The Birth of Modern Irish Currency which features unique displays and original designs.

Often regarded as the blueprint for modern photo journalism, Francisco Goya’s Disasters of War prints capture the shocking reality of warfare. Containing some of the most brutally graphic images of war ever produced, Goya used sparse lines combined with strong light and dark shadow to convey the extreme violence following Napolean Bonaparte’s invasion of Spain in 1808. A master draftsman and printmaker, Goya worked on these evocative etchings but the prints didn’t see the light of day until after his death. Today the Chester Beatty Library holds the entire collection of 80 prints, and half of the collection is available for you to view in this exhibition. With poignant scenes of human suffering alongside detailed etchings of extreme violence, prepare to be moved – if not shocked – by Francisco Goya’s prints.

The popular Santa Experience returns to Croke Park and this year Santa is bringing along his good friend ‘Stitch the Snowman’. Stitch comes from a long line of GAA sporting legends and has a puck out so good that he can send a sliothar flying to the North Pole in just one swing! Your family will wander through the Polar Palace in search of Stitch the Snowman, following a series of clues around the stadium. Along the way, you will visit Santa’s Grotto, where every child will receive a gift, the Ski Patrol Room which is manned by Santa’s elves, and go pitchside for a special surprise! This wonderful new winter experience for families is sure to be a hit, especially those with a passion for Gaelic games. There will be plenty of beautiful festive family photo opportunities with Santa and Stitch during the tour, and a professional photographer will also be on hand to capture the moment. Croke Park’s new Santa Experience also includes free admission to the GAA Museum, where families can discover two floors of interactive exhibits. Children can pick up their Junior Explorer passport and follow the special route which highlights some of the most fascinating […]

Hundreds of epic shows, memory lapses, unexplained injuries, one yearlong detour with Iggy Pop and multiple Grammy nominations later, Queens Of The Stone Age reemerge from the desert newly scarred and somehow strangely prettier with lucky seventh album, Villains, out 25th August on Matador Records. Now available for preorder on deluxe vinyl, standard vinyl, CD and digital (all formats include an instant download of first single “The Way You Used To Do”), Villains consists of the following songs: 1. Feet Don’t Fail Me 2. The Way You Used To Do 3. Domesticated Animals 4. Fortress 5. Head Like A Haunted House 6. Un-Reborn Again 7. Hideaway 8. The Evil Has Landed 9. Villains Of Circumstance Produced by Mark Ronson and co-produced by Mark Rankin and mixed by Alan Moulder, Villains is the first full album offering from Queens Of The Stone Age since 2013’s …Like Clockwork gave the band its first #1 album in the U.S. (and #1s in Australia, Belgium, Ireland, Portugal, Scotland, #2s in the UK, Canada, Switzerland, Norway, New Zealand, Finland… but really, who’s counting?). Like the stunning artwork of returning illustrator Boneface, the sonic signatures of the lineup that took …Like Clockwork around the world and […]

Rodney Graham is a writer, painter, photographer, sculptor, musician and more… it seems that there is nothing he cannot do. The Vancouver-based artist first emerged in the late 70s. He played in a band and created site-specific work, like Camera Obscura, which was an optical device the size of a garden shed that he put on his family’s farm in British Columbia. Before long, Graham had produced a series of works based on Sigmund Freud, represented Canada at the Venice Biennale, and exhibited at renowned galleries like Whitechapel Gallery, London, and at the Whitney Biennal. Over the years, this artist has become particularly associated with filmmaking, and IMMA will be displaying a sampling for you to get acquainted with alongside photographic light boxes. It’s impossible to describe Rodney Graham’s style as it is constantly mutating and his referencing is diverse – his work picking up on everyone from Lewis Carroll to Kurt Cobain. Leave your expectations at the door as you encounter Rodney Graham’s peculiar world at the Irish Museum of Modern Art.

TheatreworX Productions return to The Helix this Christmas for yet another Christmas Panto success with their hilarious adaptation of Beauty and the Beast. Starring Orla Jennings as Beauty and Chris Corron as The Beast and causing as much trouble as possible; Paul Byrom will be rocking in the role of Gaston. Each year we go bigger and better than the year before – which may be one of the reasons we’re consistently referred to as “The Best Panto in Dublin”. Due to last year’s success we will have a sensory friendly production of the pantomime. Our adapted performance will take place Tuesday December 19th at 7pm which include no sudden noises or bangs, softer and brighter lighting, and music at a suitable level. There will be no flashing merchandise available in the venue during these times.