An Evening with Jerron ‘Blind Boy’ Paxton
Join us in celebrating heritage, culture, the blues, comedy and some of the best musicianship you are likely to see on a night out. Although still in his 20s, Jerron “Blind Boy” Paxton has earned a reputation for transporting audiences back to the 1920’s and making them wish they could stay there for good. Blind Boy Paxton may be one of the greatest multi-instrumentalists that you have not heard of. Yet. And time is getting short, fast.
Jerron performed to a sold out audience at the Lead Belly Tribute at Carnegie Hall on February 4, 2016 along with Buddy Guy, Eric Burdon, Edgar Winter, Kenny Wayne Shepherd, and other stars. It is no exaggeration to say that Paxton made a huge impression. In the two years since his incredible performance at that star-studded show in one of the world’s great concert houses, Paxton’s own star has been rising fast. He opened for Buddy Guy at B.B. Kings in NYC; for Robert Cray at the Reading PA Blues Festival, and performed at numerous other festivals including: Woodford Folk Festival & Byron Bay Blues Festival in Australia; Calgary Folk Festival in Canada; Jewel City Jam in Huntington WV; Freihofers Jazz Festival in Saratoga Springs FL; Clearwater Festival in Croton-on-The Hudson NY; Fayetteville Roots Festival in Fayetteville AR: Cambridge Folk Festival in the UK., Harvest Time Rhythm & Blues Festival in Ireland; and headlined the 2017 Brooklyn Folk Festival.
This young musician sings and plays banjo, guitar, piano, fiddle, harmonica, Cajun accordion, and the bones (percussion). Paxton has an eerie ability to transform traditional jazz, blues, folk, and country into the here and now, and make it real. In addition, he mesmerizes audiences with his humor and storytelling. He’s a world-class talent and a uniquely colorful character that has been on the cover of Living Blues Magazine and the Village Voice, and has been interviewed on FOX News. Paxton’s sound is influenced by the likes of Fats Waller and “Blind” Lemon Jefferson. According to Will Friedwald in the Wall Street Journal, Paxton is “virtually the only music-maker of his generation—playing guitar, banjo, piano and violin, among other implements—to fully assimilate the blues idiom of the 1920s and ‘30s.”