Irish Famine Exhibition The Irish Potato Famine was the most catastrophic event in Ireland’s turbulent history. It is also regarded as being one of the worst Famines in history (deaths as a proportion to population). The use of the word ‘Famine’ in this context is controversial, for Ireland at the time was part of the richest Empire in the World (the British Empire). There was sufficient food in the country throughout the ‘Famine’ years, yet over a million people died from starvation and disease, and millions more were forced to flee. Some historians prefer to use the name ‘Great Hunger’ to describe this period of mass death from starvation and disease. This exhibition tells the story of what happened during those horrific years. We use rare 19th century photographs, witness accounts, contemporary sketches as well as maps and statistical information. A 15 minute film with seating is included in the exhibition and the average time spent by visitors is 1 hour. A DVD of the exhibition can also be purchased at the venue. This exhibition is dedicated to all victims of the Irish Potato Famine or The Great Hunger. Please go to Irish Famine Museum for more information
Following the death of an elderly docker, his friends gather in the local pub, The Dockside, to celebrate his life. Emotions run high and a powder keg of friction comes to a head as a dockland community come to terms with the challenge of building new lives when old ways get swept away. Over the course of an evening awash with songs, sharp Dublin wit and tales of life on the Docks, hidden tensions expose fault lines in their complex relationships. After the success of Ulysses, Dermot Bolger and Graham McLaren reunite to present this Dublin Port Commission as part of the Dublin Theatre Festival 2019. Dates: 23 September – 26 October Free Performance: Monday 21 October Times: Mon – Sat 7.30pm, Wed & Sat Matinees 2pm Tickets: €13 – €45 / Conc. €13 – €30 Running Time: 3 Hours approx. including a 20 minute interval.
The Beacon by Nancy Harris is a new play commissioned by Druid in 2016 and marks Nancy Harris’s Druid debut and her welcome return to the Gate Theatre stage after her brilliantly dark comic adaptation of The Red Shoes in 2017. The Beacon will run as part of Dublin Theatre Festival. In The Beacon, Beiv, a celebrated artist, has moved from suburban Dublin to her holiday cottage on an island off the coast of West Cork. But a dark shadow from the past hangs over her. When her estranged son and his new young wife arrive to stay, she is faced with some difficult questions. Preview: Wednesday 2 October 2019 Opening Night: Thursday 3 October 2019 Matinees: Saturday – 2.30pm Evenings: Monday to Saturday – 7.30pm
A bleak and beautiful story, told through the folk music of Ireland and America. 1865 – the end of the US Civil War. Eliza Duane Mooney, daughter of an Irish emigrant, walks across America in search of her brother Jeddo, a child soldier in the Confederate army. As Eliza and Jeddo’s stories unfold, they shine a light on the stark realities of war, its invisible rise, and what is left in its wake. Moonfish Theatre follow their acclaimed adaptation of Joseph O’Connor’s novel Star of the Sea with a unique re-imagining of O’Connor’s sequel, Redemption Falls. Presented as a theatre-gig, Redemption Falls weaves traditional folk song and music, visceral imagery and evocative storytelling in a breathtaking and intense theatrical experience. 9 – 19 October | Peacock Stage Free First Preview: 9 October Times: Mon-Sat 8pm, Sat Matinee 2.30pm Tickets: €18 – €25 / Conc. €16 – €20 Running Time: 1 hour 45 minutes plus interval
Pop superstars Little Mix return in autumn 2019 with their The LM5 Tour across the UK and Ireland. The arena tour kicks off in Dublin on 10 October, ending in Leeds on 19 November 2018. The girls will also perform three massive nights at The O2 Arena in London as part of the run. The shows will see Little Mix perform songs from their brand new album LM5, alongside their greatest hits including Touch, Shout Out to My Ex, Black Magic and Wings. Last updated: October, 2018 SSE 6th, 7th, 13th and 14th October
DublinTown Food and Drink Festival is brought to you by DublinTown. From the creators of Dine in Dublin, DublinTown Food and Drink Festival is adding more to the table of contents to give food and drink lovers a bigger festival menu. We are delighted to work with so many of the city centre’s restaurants, bars, cafés, bistros and hotels to make a programme of events that highlight the city’s amazing food and drink offerings. Dublin City itself has a wealth of talent behind the scenes and this festival aims to bring a bigger spotlight to their skills. 2018 marked the inaugural year of the newest festival to hit the streets of Dublin. The 2019 festival promises to be bigger and better and we can’t wait for you all to experience the city through this gastronomic programme. This year’s festival is in partnership with Pallas Foods. Watch some of Dublin’s most influential food and drink industry professionals tell us their thoughts on the DublinTown Food and Drink Festival.
Paul Carrack, one of the most revered vocalists in pop music, a legendary singer – songwriter and front man of Mike & The Mechanics, Squeeze & Ace returns to the road with his band and a new album, These Days. It features 11 new songs including 5 co-writes with his old Squeeze bandmate Chris Difford. With a back-catalogue of classic hit songs to his name including “The Living Years”, “Tempted”, “How Long”, “Over My Shoulder”, Paul’s uniquely soulful voice is a must for his million of fans around the world. His songs have been covered by some of the biggest names in pop music….The Eagles, Diana Ross, Tom Jones and he is constantly in demand as a session keyboard player and has recorded and toured with Elton John, Van Morrison, Roger Waters, BB King and most recently Eric Clapton. A recent BBC documentary “The Man With The Golden Voice” has brought Paul Carrack to an even wider audience with a whole new generation of fans discovering the talents of this uniquely gifted musician. Maybe its time you did too.
Sandymount or ‘Spookymount’ is an ideal location being walking distance from the center of Dublin. And the course is laid out in long straight flat lines making it ‘racer’ friendly. There are two distances to suit all levels of fitness. A 5km single lap or a 10km double lap. The course is a single loop starting and finishing beside Clanna Gael GAA club. Entries are limited so don’t leave it too late to enter! This is an annual SELL OUT race. Tell your friends. There will be a NEW bespoke Halloween Finisher’s Medal to meet you at the finish line along with that sense of satisfaction. Ideal midweek run for October. Fancy dress optional….. Date 15th October 2019 Start time 7.20pm Distance 5km or 10km Halloween Finisher medal for All 5km €15. 10km €20
Squeeze formed in 1974, shortly after teenage friends Chris Difford and Glenn Tilbrook began their songwriting partnership, brought together by an ad in a sweetshop window. By 1977 they had made their recording debut and enjoyed a string of hits that lasted until 1982. Over the years there have been solo careers and occasional separations, but the Ivor Novello Award-winning songwriting duo got back together in 2007 to relaunch Squeeze. Cradle to the Grave is the band’s latest and 14th studio album. It features the first collection of new songs from Difford and Tilbrook since 1998. Squeeze are touring the UK in 2017 with their Join the Dots tour.
Following the announcement of their fourth studio album ‘False Alarm’ (out June 21st on Prolifica Inc/ [PIAS]), Two Door Cinema Club have revealed plans for an eight date UK & Ireland headline tour this October. The tour will see the Bangor three piece play The Olympia Theatre, Dublin on 15th October.
We are delighted to present the world debut of a new, original Irish musical with book by Grace O’Malley and music and lyrics by Ross O’Connor. A small fish in a big pond finds her way to Smock Alley’s Main Space October 15th-19th. When Dublin girl Anna graduates from drama school in London and finds herself waiting tables instead of waiting in the wings, she struggles to find her place in the world. A story about young adults and their transition into the real world, the challenges they face and how those challenges affect their mental health. Book by Grace O’Malley Music by Ross O’Connor Produced by Grace O’Malley & Karen Lee
The first is his 1986 release, ‘Into The Light’, which Chris had shrewdly envisaged could be the record that might place him fully centre stage as an international artist – and so it proved, thanks to one song in particular: ‘The Lady In Red’. It was the composition which finally established him as a known singer-songwriter around the world and has since become an undeniable evergreen classic. It achieved No. 1 status in 47 countries, including the UK, reached No.2 in America and has now sold in excess of 8 million copies. To this day, it remains one of the most played songs on the planet; in America alone, it has been the recipient of six annual ASCAP (Association of Composers and Publishers) Awards, presented to acknowledge it as among the Top 20 most played records in the United States in a period of 12 months. The second album is ‘Moonfleet & Other Stories’, from 2010, which took Chris on the most ambitious, demanding and evocative journey of his long career which, by then, had resulted in albums sales approaching 50 million worldwide. “I gave myself the biggest challenge in writing and recording that album,” Chris estimates. “It was very […]
First Show Oct 16 Wed 17:30 – Sold Out Second Show Oct 16 Wed 19:00 – Sold Out Third Show Oct 16 Wed 21:45 Television personality, Emmy nominee, and hairstylist to the stars, Jonathan Van Ness has quickly become known in the entertainment industry for his fabulous, unstoppable energy. It is his belief that great hair is best served with a side of witty banter. Jonathan can be seen starring on Netflix’s “Queer Eye,” which premiered in February 2018; the hit reboot of the Emmy Award winning series “Queer Eye for the Straight Guy.” The show, which is Netflix’s first foray into non-scripted, follows the ‘Fab Five’ as they forge relationships with men and women from a wide array of backgrounds and beliefs often contrary to their own, touching on everything from LGBTQ rights and social commentary to how to make the best farm-to-table guacamole. Jonathan shines as the show’s groomer, hair guru and self-care advocate. “Queer Eye” is set to return for Season 2 on June 15th.
Breaking through in 2001 with his debut album Room For Squares, John Mayer is one of the most successful recording artists of the past two decades. Mayer has released seven studio albums in total, his most recent being 2017’s The Search for Everything. Some of the musician’s best-known tracks include Daughters, Who Says, Waiting on the World to Change, No Such Thing and Your Body is a Wonderland. A serial award winner, Mayer has been nominated for a total of 19 Grammy Awards, taking home seven. Alongside music, John hosts a weekly show on Instagram Live entitled Current Mood. Guests who have appeared on Current Mood include Thundercat, Charlie Puth and Diplo. Mayer will be bringing his European tour to London and Manchester in October 2019. There will be no support act on these shows, with John instead performing two career-spanning sets.
On its opening, ISLA (Irish Spanish Latin American) Festival organized by Instituto Cervantes in Dublin will screen music documentary Love and Death. The Story of Enrique Granados tells the intense and turbulent story of composer Enrique Granados in Barcelona at the end of the 19th and beginning of the 20th centuries, his journeys to Madrid, Paris, New York, his life-long struggles and his early successes… The event, celebrated in Trinity Biomedical Sciences Institute (TBSI), will be followed by a Panel discussion with an introduction by flamenco dancer and neuroscientists Researcher in Trinity College, Ana Belén López, who will discuss with author and cinema director, Arantxa Aguirre. Chaired by professional singer and Assistant Professor in Hispanic Studies at Trinity College, Katerina García. Free in and no booking is required!
On November 9th 2018, Aled Jones and Russell Watson, two of the world’s greatest classical voices, take to the stage together for their first joint UK and Ireland tour throughout September and October 2019, performing in the Bord Gais Energy Theatre on Friday, October 18th 2019. As two of the classical world’s vocal powerhouses, Aled and Russell have received countless prestigious awards, record-breaking sales and chart successes. Over his extraordinary 30 year career, Aled’s outstanding performances have made smash-hit box office history. He is the original crossover star and has sung for the Pope and the Royal Family, received an MBE, released over 30 albums – with over 10 million album sales and counting – and has over 40 silver, gold and platinum discs. After beginning his career at the age of 12, Aled became one of the world’s most successful boy sopranos, releasing 12 hit albums in 4 years with the defining moment being ‘Walking in the Air’, the hit song from the family-favourite, Christmas animated film ‘The Snowman’.
Notes On Rave In Dublin is a roller coaster ride through the birth pangs of dance music in our dirty old town. From the democratic romance of those early loved up dancefloors to how a cold social stratification and commercialisation crept back. Leaving it up to a network of outsider labels, pirates and ravers to establish an indigenous scene that we now call our own. This is a story of how an underground works, mutates and survives. Join Dublin Digital Radio and rabble in the plush surroundings of The Sugar Club as we give Notes on Rave in Dublin another rinse on the big screen. All proceeds go towards Dublin Digital Radio’s upcoming big move ( more details on that to be shared real soon).
The award-winning singer – one of the original cast members of the Olivier Award-winning La Soiree- has stunned audiences around the world with her sell-out performances including Sydney Opera House, London’s Royal Festival Hall, The Roundhouse and a show-stealing appearance on Later with Jools Holland BBC. Recently she sold out her 10 night run at Sydney Festival where she won a prestigious Australian Helpmann Award ‘Best Performance’. Chameleon-like on stage, each song is a different character to inhabit with its story to tell, Dark, light fierce, amusing and mesmerizing, Camille transforms each song into “an intense theatrical experience, drawing her audience into a world illuminated by the dark and the light”. The show has also been described as “an emotional rollercoaster”. “When she sings it’s as though her breath is soaked in paraffin – one spark, and the whole room would ignite” FIVE STARS Daily Telegraph At Wilderness Festival 2015 she performed Radiohead’s music with a forty piece orchestra and performed Brel’s music at Edinburgh Fringe 15 (A masterclass in living a lyric – mesmerising’ ***** – Mail on Sunday) and recently toured David Lynch ‘in Dreams’ music at the Sydney Opera House, dueted with Tim Robbins, Todd Rundgren, Shane McGowan (London 02), […]
Same place, same time next year! Biggest 80’s – 90’s disco is back for the second round! We are preparing an event better night for you in 2019! During the 4hr concert in fabulous 3Arena on 19th of October you will hear all your favourite hits in one night, from: Alphaville Smokie Technotronic 5ive S club East 17 ABBORN – Tribute band to ABBA Dr. Alban Capella C+C Music Factory Vengaboys Captain Hollywood Project Maggie Reilly We promise you will sing your heart out and dance your shoes off! So get your fancy dress ready and prepare for the best party of the year!
Des Bishop is coming home after spending over a year in China. He has some fun stories to tell about that: from working in a restaurant in the North East for a month to trying to find a wife in a Marriage park; plus some great journeys with Leo his co-worker from the Abrakebabra days. But he also can’t wait to tell you about all the things he missed about home: democracy, milk, sarcasm and so much more. Most importantly though, Des just can’t wait to speak English without being censored. Absence makes the heart grow funnier, so come and check out this unique show.
With over 20,000 tickets sold in Ireland plus successful tours of the UK, Holland and Belgium. Ireland’s most successful touring tribute show returns to Bord Gáis Energy Theatre. The show’s creator and promoter Pat Egan says: “The success of the show is down to the outstanding high quality of the production, brilliant band and singers but ever more so the astonishing voice of Toni Lee recreating to perfection the smoky tones of Karen Carpenter. No other Carpenters show comes near”. The show’s Musical Director and arranger is Eugene McCarthy, a highly experienced musician of over 30 years who has worked with top Irish and international acts. Toni Lee is unique, utterly unique in that she recreates the voice of Karen Carpenter like no one else alive. Her touring show “We’ve Only Just Begun” has been on the road now for over 5 years and its simply the best Celebration of the Carpenters music to be heard anywhere in the world. The show features every Carpenter hit with an 8 piece big band and audiovisuals of the Carpenters career highlights. It’s an evening of pure nostalgia where Toni Lee truly becomes Karen Carpenter. Toni grew up in a music business family. […]
At our weekly drop-in workshop, children and their parents/guardians/carers are encouraged to work together on creative projects. Drop-in and stay for as long (or as little!) as you wish. These workshops are suitable for children of all ages, and take place in the Maples and Calder Creative Space in our Atrium. These free workshops take place weekly, every Sunday from 11.30am. Join us for a special tour designed for children and their guardians, parents and carers. Our aim is to make the artworks fun and engaging for kids, and to welcome families and visitors of all ages and encourage them to feel comfortable in the Gallery. All welcome; no booking necessary. 12:30pm
Widdicombe is best known for the twice BAFTA nominated and multiple Broadcast and RTS award winning show The Last Leg, as well as his critically acclaimed sitcom JOSH, Insert Name Here, QI, Have I Got New For You, A League of Their Own and his hit podcast Quickly Kevin Will He Score.
Experience two of the Beatles’ most iconic albums performed afresh in this special musical collaboration, adding a classical twist and performing beautifully arranged symphonic Versions of these timeless classics, including masterpieces such as Here Comes The Sun, Come Together, The Long and Winding Road and Let it Be. The tour marks 50 years since the release of these final two albums, ‘Abbey Road’ (released 26 September 1969) and ‘Let It Be’ (released 8 May 1970), and will explore the journey to the end of The Beatles, celebrating the music of this era and the legacy that endures to this day.
Joseph “Joe” Gatto, James “Murr” Murray, Brian “Q” Quinn, and Salvatore “Sal” Vulcano are collectively known as the The Tenderloins, the quartet rose to fame on the reality TV programme, Impractical Jokers. Premiering on TruTV in December 2011, the hidden camera series sees the friends coerce one another into doing public pranks. It quickly set itself apart from its contemporaries by filling the show with clever humour rather than slapstick or crude comedy. Recent pranks have seen members of The Tenderloins fall instantly head-over-heels for a stranger, make some unusual suggestions in a city planning meeting, and attempt to gift-wrap shoppers’ groceries in a supermarket. In early 2018, TruTV announced the renewal of Impractical Jokers, taking it into its eighth season. The 26 brand new episodes are set to be aired from February 2019, with a feature-length film also in the works. The Tenderloins have announced that they’ll be returning to the UK in October 2019 with a brand new show. Their live shows see the four-piece bring their improv and comedy experiences to stages across the UK, blended with footage and associated stories from the hit TV show.
What can you do in 20 Seconds? Wake up? Fall asleep? Make an enemy? Fall in love? Save a life? Is it enough time? In this debut performance by Thunder and Theatre Company, 20 SECONDS is story of two complete strangers attempting to become friends after circumstance leaves them trapped in an elevator. As tensions rise a struggle leads to the unwilling admittance of a dark secret from one of the men. As they try to adjust to the new atmosphere in their temporary metal prison, we see them grow as friends and each of the men find a new confidence they didn’t have before the silver doors shut, but was it enough? This show is sure to leave audiences laughing, crying, and wanting more. This piece is heart-warming and honest, and Thunder and Theatre are very excited to be sharing this story. Running Time : 75 mins Suitable for all ages 15+ Sexual strong language and sexual references WRITTEN & PERFORMED BY : Liam Wilson Smyth and Kenneth Doran DIRECTED BY : Niamh McGrath LIGHTING AND SET DESIGN : Shannon Cowan SOUND DESIGN BY : Conrad JB About the company… The two company owners, Liam and Kenneth, began their […]
Following two sold-out seasons at the London Coliseum, St Petersburg Ballet Theatre brings the grace and beauty of Swan Lake to Dublin. With magnificent sets and beautiful costumes, the company of 55, led by prima ballerina Irina Kolesnikova, presents Russian Ballet tradition in all its glory. St Petersburg Ballet Theatre is renowned globally from London to Sydney, from Hong Kong and Singapore to Johannesburg and Paris for its superbly trained Vaganova soloists and corps de ballet. Tchaikovsky’s immortal Swan Lake, the world’s most loved classical ballet, will be accompanied by a full theatre orchestra. See it once – remember it forever.
Multi-platinum Icelandic quintet Of Monsters and Men have announced a run of UK and European dates in support of their new album FEVER DREAM, including an Olympia Theatre date on Thursday 23rd October! Of Monsters and Men went from the talk of Iceland to the top of the global conversation on their 2011 debut, My Head Is An Animal. Not only did the record go platinum, but it also produced an international smash in the form of “Little Talks.” The breakthrough single earned a quintuple-platinum certification from the RIAA, made history as “the first song by an Icelandic band to cross 1 billion streams on Spotify,” and landed the band a performance onSaturday Night Live. The group appeared on official soundtracks for franchises such as The Hunger Games, The Walking Dead, and Beat Bugs, to name a few. In the midst of this rapid rise, 2015’s Beneath The Skin bowed in the Top 3 of the Billboard Top 200 and the band starred in an episode of HBO’s Game of Thrones in the same year.
An evening of piano, pain and laughter with the inimitable Amanda Palmer.
Orchestral Manoeuvres In The Dark, one of the UK’s most iconic bands, are back with their first new album in 14 years, the appropriately entitled ‘History Of Modern’. And what a return. Andy McCluskey has called it ‘our best album since Architecture and Morality’ – and few would disagree. The album was produced by OMD and mixed by one of the UK’s most in demand producers Mike Crossey (Artic Monkeys/Blood Red Shoes/Razorlight). ‘History of Modern’ is a powerful, pulsating, vibrant and contemporary album with a strong pop sensibility. Tracks such as ‘Pulse’, ‘Save Me’, ‘Sister Marie Says’ and ‘The Future’ are huge future dancefloor fillers while others like the downtempo ‘Bondage Of Fate’, ‘If You Want It’ and ‘Sometimes’ are quite simply beautiful, classic OMD songs.
We are very delighted that you have shown interest in our enterprise. Data protection is of a particularly high priority for the management of the whatsonin.ie. The use of the Internet pages of the whatsonin.ie is possible without any indication of personal data; however, if a data subject wants to use special enterprise services via our website, processing of personal data could become necessary. If the processing of personal data is necessary and there is no statutory basis for such processing, we generally obtain consent from the data subject.
The processing of personal data, such as the name, address, e-mail address, or telephone number of a data subject shall always be in line with the General Data Protection Regulation (GDPR), and in accordance with the country-specific data protection regulations applicable to the whatsonin.ie. By means of this data protection declaration, our enterprise would like to inform the general public of the nature, scope, and purpose of the personal data we collect, use and process. Furthermore, data subjects are informed, by means of this data protection declaration, of the rights to which they are entitled.
As the controller, the whatsonin.ie has implemented numerous technical and organizational measures to ensure the most complete protection of personal data processed through this website. However, Internet-based data transmissions may in principle have security gaps, so absolute protection may not be guaranteed. For this reason, every data subject is free to transfer personal data to us via alternative means, e.g. by telephone.
The data protection declaration of the whatsonin.ie is based on the terms used by the European legislator for the adoption of the General Data Protection Regulation (GDPR). Our data protection declaration should be legible and understandable for the general public, as well as our customers and business partners. To ensure this, we would like to first explain the terminology used.
In this data protection declaration, we use, inter alia, the following terms:
a) Personal data
Personal data means any information relating to an identified or identifiable natural person (“data subject”). An identifiable natural person is one who can be identified, directly or indirectly, in particular by reference to an identifier such as a name, an identification number, location data, an online identifier or to one or more factors specific to the physical, physiological, genetic, mental, economic, cultural or social identity of that natural person.
b) Data subject
Data subject is any identified or identifiable natural person, whose personal data is processed by the controller responsible for the processing.
Processing is any operation or set of operations which is performed on personal data or on sets of personal data, whether or not by automated means, such as collection, recording, organisation, structuring, storage, adaptation or alteration, retrieval, consultation, use, disclosure by transmission, dissemination or otherwise making available, alignment or combination, restriction, erasure or destruction.
d) Restriction of processing
Restriction of processing is the marking of stored personal data with the aim of limiting their processing in the future.
Profiling means any form of automated processing of personal data consisting of the use of personal data to evaluate certain personal aspects relating to a natural person, in particular to analyse or predict aspects concerning that natural person’s performance at work, economic situation, health, personal preferences, interests, reliability, behaviour, location or movements.
Pseudonymisation is the processing of personal data in such a manner that the personal data can no longer be attributed to a specific data subject without the use of additional information, provided that such additional information is kept separately and is subject to technical and organisational measures to ensure that the personal data are not attributed to an identified or identifiable natural person.
g) Controller or controller responsible for the processing
Controller or controller responsible for the processing is the natural or legal person, public authority, agency or other body which, alone or jointly with others, determines the purposes and means of the processing of personal data; where the purposes and means of such processing are determined by Union or Member State law, the controller or the specific criteria for its nomination may be provided for by Union or Member State law.
Processor is a natural or legal person, public authority, agency or other body which processes personal data on behalf of the controller.
Recipient is a natural or legal person, public authority, agency or another body, to which the personal data are disclosed, whether a third party or not. However, public authorities which may receive personal data in the framework of a particular inquiry in accordance with Union or Member State law shall not be regarded as recipients; the processing of those data by those public authorities shall be in compliance with the applicable data protection rules according to the purposes of the processing.
j) Third party
Third party is a natural or legal person, public authority, agency or body other than the data subject, controller, processor and persons who, under the direct authority of the controller or processor, are authorised to process personal data.
Consent of the data subject is any freely given, specific, informed and unambiguous indication of the data subject’s wishes by which he or she, by a statement or by a clear affirmative action, signifies agreement to the processing of personal data relating to him or her.
2. Name and Address of the controller
Controller for the purposes of the General Data Protection Regulation (GDPR), other data protection laws applicable in Member states of the European Union and other provisions related to data protection is:
D14 P267 Dublin
The data subject may, at any time, prevent the setting of cookies through our website by means of a corresponding setting of the Internet browser used, and may thus permanently deny the setting of cookies. Furthermore, already set cookies may be deleted at any time via an Internet browser or other software programs. This is possible in all popular Internet browsers. If the data subject deactivates the setting of cookies in the Internet browser used, not all functions of our website may be entirely usable.
4. Collection of general data and information
The website of the whatsonin.ie collects a series of general data and information when a data subject or automated system calls up the website. This general data and information are stored in the server log files. Collected may be (1) the browser types and versions used, (2) the operating system used by the accessing system, (3) the website from which an accessing system reaches our website (so-called referrers), (4) the sub-websites, (5) the date and time of access to the Internet site, (6) an Internet protocol address (IP address), (7) the Internet service provider of the accessing system, and (8) any other similar data and information that may be used in the event of attacks on our information technology systems.
When using these general data and information, the whatsonin.ie does not draw any conclusions about the data subject. Rather, this information is needed to (1) deliver the content of our website correctly, (2) optimize the content of our website as well as its advertisement, (3) ensure the long-term viability of our information technology systems and website technology, and (4) provide law enforcement authorities with the information necessary for criminal prosecution in case of a cyber-attack. Therefore, the whatsonin.ie analyzes anonymously collected data and information statistically, with the aim of increasing the data protection and data security of our enterprise, and to ensure an optimal level of protection for the personal data we process. The anonymous data of the server log files are stored separately from all personal data provided by a data subject.
5. Contact possibility via the website
The website of the whatsonin.ie contains information that enables a quick electronic contact to our enterprise, as well as direct communication with us, which also includes a general address of the so-called electronic mail (e-mail address). If a data subject contacts the controller by e-mail or via a contact form, the personal data transmitted by the data subject are automatically stored. Such personal data transmitted on a voluntary basis by a data subject to the data controller are stored for the purpose of processing or contacting the data subject. There is no transfer of this personal data to third parties.
6. Routine erasure and blocking of personal data
The data controller shall process and store the personal data of the data subject only for the period necessary to achieve the purpose of storage, or as far as this is granted by the European legislator or other legislators in laws or regulations to which the controller is subject to.
If the storage purpose is not applicable, or if a storage period prescribed by the European legislator or another competent legislator expires, the personal data are routinely blocked or erased in accordance with legal requirements.
7. Rights of the data subject
a) Right of confirmation
Each data subject shall have the right granted by the European legislator to obtain from the controller the confirmation as to whether or not personal data concerning him or her are being processed. If a data subject wishes to avail himself of this right of confirmation, he or she may, at any time, contact our Data Protection Officer or another employee of the controller.
b) Right of access
Each data subject shall have the right granted by the European legislator to obtain from the controller free information about his or her personal data stored at any time and a copy of this information. Furthermore, the European directives and regulations grant the data subject access to the following information:
the purposes of the processing;
the categories of personal data concerned;
the recipients or categories of recipients to whom the personal data have been or will be disclosed, in particular recipients in third countries or international organisations;
where possible, the envisaged period for which the personal data will be stored, or, if not possible, the criteria used to determine that period;
the existence of the right to request from the controller rectification or erasure of personal data, or restriction of processing of personal data concerning the data subject, or to object to such processing;
the existence of the right to lodge a complaint with a supervisory authority;
where the personal data are not collected from the data subject, any available information as to their source;
the existence of automated decision-making, including profiling, referred to in Article 22(1) and (4) of the GDPR and, at least in those cases, meaningful information about the logic involved, as well as the significance and envisaged consequences of such processing for the data subject.
Furthermore, the data subject shall have a right to obtain information as to whether personal data are transferred to a third country or to an international organisation. Where this is the case, the data subject shall have the right to be informed of the appropriate safeguards relating to the transfer.
If a data subject wishes to avail himself of this right of access, he or she may at any time contact our Data Protection Officer or another employee of the controller.
c) Right to rectification
Each data subject shall have the right granted by the European legislator to obtain from the controller without undue delay the rectification of inaccurate personal data concerning him or her. Taking into account the purposes of the processing, the data subject shall have the right to have incomplete personal data completed, including by means of providing a supplementary statement.
If a data subject wishes to exercise this right to rectification, he or she may, at any time, contact our Data Protection Officer or another employee of the controller.
d) Right to erasure (Right to be forgotten)
Each data subject shall have the right granted by the European legislator to obtain from the controller the erasure of personal data concerning him or her without undue delay, and the controller shall have the obligation to erase personal data without undue delay where one of the following grounds applies, as long as the processing is not necessary:
The personal data are no longer necessary in relation to the purposes for which they were collected or otherwise processed.
The data subject withdraws consent to which the processing is based according to point (a) of Article 6(1) of the GDPR, or point (a) of Article 9(2) of the GDPR, and where there is no other legal ground for the processing.
The data subject objects to the processing pursuant to Article 21(1) of the GDPR and there are no overriding legitimate grounds for the processing, or the data subject objects to the processing pursuant to Article 21(2) of the GDPR.
The personal data have been unlawfully processed.
The personal data must be erased for compliance with a legal obligation in Union or Member State law to which the controller is subject.
The personal data have been collected in relation to the offer of information society services referred to in Article 8(1) of the GDPR.
If one of the aforementioned reasons applies, and a data subject wishes to request the erasure of personal data stored by the whatsonin.ie, he or she may at any time contact our Data Protection Officer or another employee of the controller. The Data Protection Officer of the whatsonin.ie or another employee shall promptly ensure that the erasure request is complied with immediately.
Where the controller has made personal data public and is obliged pursuant to Article 17(1) to erase the personal data, the controller, taking account of available technology and the cost of implementation, shall take reasonable steps, including technical measures, to inform other controllers processing the personal data that the data subject has requested erasure by such controllers of any links to, or copy or replication of, those personal data, as far as processing is not required. The Data Protection Officer of the whatsonin.ie or another employee will arrange the necessary measures in individual cases.
e) Right of restriction of processing
Each data subject shall have the right granted by the European legislator to obtain from the controller restriction of processing where one of the following applies:
The accuracy of the personal data is contested by the data subject, for a period enabling the controller to verify the accuracy of the personal data.
The processing is unlawful and the data subject opposes the erasure of the personal data and requests instead the restriction of their use instead.
The controller no longer needs the personal data for the purposes of the processing, but they are required by the data subject for the establishment, exercise or defence of legal claims.
The data subject has objected to processing pursuant to Article 21(1) of the GDPR pending the verification whether the legitimate grounds of the controller override those of the data subject.
If one of the aforementioned conditions is met, and a data subject wishes to request the restriction of the processing of personal data stored by the whatsonin.ie, he or she may at any time contact our Data Protection Officer or another employee of the controller. The Data Protection Officer of the whatsonin.ie or another employee will arrange the restriction of the processing.
f) Right to data portability
Each data subject shall have the right granted by the European legislator, to receive the personal data concerning him or her, which was provided to a controller, in a structured, commonly used and machine-readable format. He or she shall have the right to transmit those data to another controller without hindrance from the controller to which the personal data have been provided, as long as the processing is based on consent pursuant to point (a) of Article 6(1) of the GDPR or point (a) of Article 9(2) of the GDPR, or on a contract pursuant to point (b) of Article 6(1) of the GDPR, and the processing is carried out by automated means, as long as the processing is not necessary for the performance of a task carried out in the public interest or in the exercise of official authority vested in the controller.
Furthermore, in exercising his or her right to data portability pursuant to Article 20(1) of the GDPR, the data subject shall have the right to have personal data transmitted directly from one controller to another, where technically feasible and when doing so does not adversely affect the rights and freedoms of others.
In order to assert the right to data portability, the data subject may at any time contact the Data Protection Officer designated by the whatsonin.ie or another employee.
g) Right to object
Each data subject shall have the right granted by the European legislator to object, on grounds relating to his or her particular situation, at any time, to processing of personal data concerning him or her, which is based on point (e) or (f) of Article 6(1) of the GDPR. This also applies to profiling based on these provisions.
The whatsonin.ie shall no longer process the personal data in the event of the objection, unless we can demonstrate compelling legitimate grounds for the processing which override the interests, rights and freedoms of the data subject, or for the establishment, exercise or defence of legal claims.
If the whatsonin.ie processes personal data for direct marketing purposes, the data subject shall have the right to object at any time to processing of personal data concerning him or her for such marketing. This applies to profiling to the extent that it is related to such direct marketing. If the data subject objects to the whatsonin.ie to the processing for direct marketing purposes, the whatsonin.ie will no longer process the personal data for these purposes.
In addition, the data subject has the right, on grounds relating to his or her particular situation, to object to processing of personal data concerning him or her by the whatsonin.ie for scientific or historical research purposes, or for statistical purposes pursuant to Article 89(1) of the GDPR, unless the processing is necessary for the performance of a task carried out for reasons of public interest.
In order to exercise the right to object, the data subject may directly contact the Data Protection Officer of the whatsonin.ie or another employee. In addition, the data subject is free in the context of the use of information society services, and notwithstanding Directive 2002/58/EC, to use his or her right to object by automated means using technical specifications.
h) Automated individual decision-making, including profiling
Each data subject shall have the right granted by the European legislator not to be subject to a decision based solely on automated processing, including profiling, which produces legal effects concerning him or her, or similarly significantly affects him or her, as long as the decision (1) is not is necessary for entering into, or the performance of, a contract between the data subject and a data controller, or (2) is not authorised by Union or Member State law to which the controller is subject and which also lays down suitable measures to safeguard the data subject’s rights and freedoms and legitimate interests, or (3) is not based on the data subject’s explicit consent.
If the decision (1) is necessary for entering into, or the performance of, a contract between the data subject and a data controller, or (2) it is based on the data subject’s explicit consent, the whatsonin.ie shall implement suitable measures to safeguard the data subject’s rights and freedoms and legitimate interests, at least the right to obtain human intervention on the part of the controller, to express his or her point of view and contest the decision.
If the data subject wishes to exercise the rights concerning automated individual decision-making, he or she may at any time directly contact our Data Protection Officer of the whatsonin.ie or another employee of the controller.
i) Right to withdraw data protection consent
Each data subject shall have the right granted by the European legislator to withdraw his or her consent to processing of his or her personal data at any time.
f the data subject wishes to exercise the right to withdraw the consent, he or she may at any time directly contact our Data Protection Officer of the whatsonin.ie or another employee of the controller.
8. Legal basis for the processing
Art. 6(1) lit. a GDPR serves as the legal basis for processing operations for which we obtain consent for a specific processing purpose. If the processing of personal data is necessary for the performance of a contract to which the data subject is party, as is the case, for example, when processing operations are necessary for the supply of goods or to provide any other service, the processing is based on Article 6(1) lit. b GDPR. The same applies to such processing operations which are necessary for carrying out pre-contractual measures, for example in the case of inquiries concerning our products or services. Is our company subject to a legal obligation by which processing of personal data is required, such as for the fulfillment of tax obligations, the processing is based on Art. 6(1) lit. c GDPR. In rare cases, the processing of personal data may be necessary to protect the vital interests of the data subject or of another natural person. This would be the case, for example, if a visitor were injured in our company and his name, age, health insurance data or other vital information would have to be passed on to a doctor, hospital or other third party. Then the processing would be based on Art. 6(1) lit. d GDPR. Finally, processing operations could be based on Article 6(1) lit. f GDPR. This legal basis is used for processing operations which are not covered by any of the abovementioned legal grounds, if processing is necessary for the purposes of the legitimate interests pursued by our company or by a third party, except where such interests are overridden by the interests or fundamental rights and freedoms of the data subject which require protection of personal data. Such processing operations are particularly permissible because they have been specifically mentioned by the European legislator. He considered that a legitimate interest could be assumed if the data subject is a client of the controller (Recital 47 Sentence 2 GDPR).
9. The legitimate interests pursued by the controller or by a third party
Where the processing of personal data is based on Article 6(1) lit. f GDPR our legitimate interest is to carry out our business in favor of the well-being of all our employees and the shareholders.
10. Period for which the personal data will be stored
The criteria used to determine the period of storage of personal data is the respective statutory retention period. After expiration of that period, the corresponding data is routinely deleted, as long as it is no longer necessary for the fulfillment of the contract or the initiation of a contract.
11. Provision of personal data as statutory or contractual requirement; Requirement necessary to enter into a contract; Obligation of the data subject to provide the personal data; possible consequences of failure to provide such data
We clarify that the provision of personal data is partly required by law (e.g. tax regulations) or can also result from contractual provisions (e.g. information on the contractual partner). Sometimes it may be necessary to conclude a contract that the data subject provides us with personal data, which must subsequently be processed by us. The data subject is, for example, obliged to provide us with personal data when our company signs a contract with him or her. The non-provision of the personal data would have the consequence that the contract with the data subject could not be concluded. Before personal data is provided by the data subject, the data subject must contact our Data Protection Officer. Our Data Protection Officer clarifies to the data subject whether the provision of the personal data is required by law or contract or is necessary for the conclusion of the contract, whether there is an obligation to provide the personal data and the consequences of non-provision of the personal data.
12. Existence of automated decision-making
As a responsible company, we do not use automatic decision-making or profiling.